There is a very fine line between what I consider cultural appreciation and cultural appropriation. Cultural appropriation tends to happen quite a bit within the music industry. A great chunk of music history can be traced back to Africa where music is said to have been invented. When researching music history, we can trace the origins of rock and roll, jazz, and the blues to work songs that originated in the south during slavery. Work songs played an important role in the lives of enslaved Africans, they were typically sung to express feelings and were passed down through generations of enslavement. The interesting thing is that, unless you take a music course, it is often unknown where the music actually came from. Artists who “borrowed” from black culture rarely give credit where credit is due. The problem today is that the cultural appropriation is occurring among music fan bases, more specifically hip hop.
One of the most ridiculous things we see today is the “borrowing” of Black culture as a means of making some sort of profit. This pattern can be seen when we look at celebrities like Miley Cyrus, who have made a fortune by appropriating black culture. As a young girl, I grew up watching Hannah Montana and considered myself to be a huge fan of her music. It came as a surprise when I looked at my television and saw Cyrus twerking on stage at the MTV music awards. Her persona had completely developed, she was rapping, she was cussing in her music, and she even began to talk differently. This change of persona blew up her image and brought her back to stardom. A short while after this rebellion, Cyrus had an interview in which she mentioned something along the lines of not wanting to be a part of rap culture anymore because it emphasized violent behavior and the disrespect of women. This claim came after her “Bangerz” tour earned $62 million, the album was heavily influenced by hip-hop culture and even featured several rappers who welcomed Cyrus into hip hop culture with open arms. Black culture is not to be borrowed from irresponsibly, and if ever an artist decides to profit from it, that artist should uplift the culture rather than knock it down.
To enjoy hip hop music responsibly, I believe that it’s important for white fans to recognize that black culture is not theirs to portray. We often see fans who have immersed themselves so far into the culture that they find it appropriate to use the “n-word” every five seconds. White fans must recognize that there a level of respect that must always be honored, especially when it comes to the difference between cultural appreciation and cultural appropriation.